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Engineering
Gustave Eiffel was the perfect example of a 19th century engineer: inventive and daring,” says Lemoine, who is himself an engineer, architect, and specialist in the history of architecture at CNRS.1 “Eiffel graduated from the Central School of Arts and Manufactures2 in 1855, a major time of growth, stemming from several concurrent factors: the rapid economic expansion of Europe, at the height of its industrial revolution; the appearance of a new material, rolled iron, which was lighter and cheaper than stone; and decisive progress in mechanics.” In this favorable context, Eiffel became an internationally renowned structural engineer not only through the design of the world-famous Eiffel Tower, but also as a result of the 300 or so structures he built all over the world, including bridges, viaducts, roof structures, churches, and stations. His contributions to scientific research shouldn't be forgotten either. “This is why we opted to show all the different facets of this visionary man,” explains Lemoine, the scientific commissioner of the exhibition “L'Epopée Tour Eiffel” (The Eiffel Tower Saga) which will be on show on the first floor of the tower until December 31st.
And Eiffel had all the makings of a great engineer. Encouraged by his success in a steel construction company, where he headed in particular the construction site for the Bordeaux railway bridge, he set up his very own company at the age of 32. He surrounded himself with efficient technicians and inventive engineers, and started establishing lasting partnerships with investors. At the time, structural engineering was increasingly in demand. Railways were expanding throughout Europe, and stations, bridges, and public buildings were changing the landscape. “Iron enabled you to build fast: The parts were mass-produced in workshops, and they could be sent back to the factory in case of problems. On site, all you had to do was to assemble them with rivets,” Lemoine explains. It was not unlike a Meccano model construction kit, but on a grand scale, in sharp contrast to traditional building sites, where stones had to be cut and recut on the construction site to fit–a process that could drag on for years. Furthermore, the scientific laws that explained how materials deformed due to the stresses and shapes of structures, discovered by Claude-Louis Navier in 1821, were now commonly being applied. “The shapes of beams and buildings were designed so as to optimize their resistance, while at the same time making them lighter,” Lemoine explains. Structures made increasing use of openwork. And you could build them bigger and taller without any fear of them collapsing under their own weight, or breaking in high winds. Among the new generation of engineers, Eiffel won many contracts due to technical innovations that could cut costs. “For instance, for the Maria Pia Bridge in Porto (Portugal), he suggested using cables to hold up the two arches that met to form the bridge,” adds Lemoine. As a result, there was no need to put up expensive scaffolding in the river.

© Collection Tour Eiffel
Sketch of the Statue of Liberty. Beneath its copper sheathing, the iron framework can be seen: put simply, it is a mini Eiffel Tower topped by another–smaller one–inside the arm.

© Collection Tour Eiffel
December 1887: Before the first level was completed, making the whole structure stable, the four legs were held up by scaffolding. Eiffel had the idea of placing boxes filled with sand inside them, as was done in Ancient Egypt. Removing a little of the sand slightly lowered an entire leg, and above all, enabled all four legs to be adjusted to the same height. Had they been just a few millimeters off, the rivets would not have fit in the holes of the plates that were then assembled.
The tower won one of the four prizes in the exhibition's architecture competition. Publicity in the press and public meetings helped to make Eiffel's project increasingly credible, and an agreement with the government was finally signed. Funded partly by Eiffel's own money, the project would finally get off the ground. Work began in January 1887 to be completed a mere 26 months later. The tower was to amaze two million visitors during the six months the exhibition was open. “It was supposed to be torn down after 20 years, when the free lease granted by the city of Paris expired.

© DR
Inauguration in 1922 of the radio station at the Eiffel Tower by actor Sacha Guitry (at the microphone), opera singer Yvonne Printemps, and radio pioneer General Ferrié. Converted into a giant antenna, which was initially used for military communications, the Eiffel Tower won another reprieve from its planned destruction.
Charline Zeitoun
1. Centre André Chastel (CNRS / Université Paris-IV / Ministère de la culture et de la communication).
2. École centrale des arts et manufactures.
3. Patent registered under the names of Eiffel, Nouguier, and Koechlin, which Eiffel later bought back from the two engineers.
Bertrand Lemoine,
Centre André Chastel, Paris.
cedam@noos.fr